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Nothing conjures the feeling of an idyllic holiday in Italy quite like a driving shoe, a quintessential design in the hands of Tod’s, which is known for its striking Gommino loafer.
Debuting at the end of the 1970s, the Italian fashion brand took inspiration for the Gommino from 1950s driving shoes. It is recognisable for its distinct sole covered in 133 rubber pebbles, as well as its attention to craftsmanship.
Take, for example, the fact that there are over 100 steps in the construction of the shoe, with 35 pieces of leather used in a single model – each of which needs to be treated and checked individually before being assembled, and all of which is done by hand.
Over the years, there have been updates: the City Gommino has a thicker sole; the Gommino Bubble is softer in shape and features oversized pebbles; and the My Gommino offering makes it possible for you, the wearer, to customise the design with different leather combinations and colours.
But one thing has remained the same: the shoe has become a badge of Tod’s classic design and, as the brand notes, “Artisanal Intelligence” (which seems more poignant in an increasingly AI world). And, for Tod’s, this year has been a big year for both.
(Image credit: Future)
The Gommino was celebrated in conjunction with Italian Hands, Artisanal Stories from Italy, a book that celebrates Made in Italy, sharing and documenting the stories of the artisans and important figures who keep such traditions alive. Intended as a bridge between generations, it is both a tribute to the past in the hope of leading the way for the future. It features makers beyond the world of the Gommino, and a limited edition version was introduced exclusively at the Tod’s boutique at Via Montenapoleone.
Also in-keeping with this idea of tradition-meets-modernity, Tod’s debuted its Italian Diaries campaign putting the Gommino in the spotlight through a contemporary lens. Oliver Hadlee Pearch photographed five new names with strong legacies: actress and singer Ella Bleu Travolta, musician Lennon Gallagher, writer and director Stella Banderas, model and artist Roberto Rossellini and singer and actor Leo Gassmann.
Photographed in Tuscany, the campaign once again pointed to the spirit of Italian lifestyle: relaxed and elegant – much like the design of the Gommino shoe itself.
“To me,” said Lennon Gallagher, “the Gommino is a perfect representation of Italian design, luxurious and functional.”
(Image credit: Future)
Consider them the alternative to your go-to ballet pumps, worn day to day with cropped trousers and shorts, given that they tick the box of being both smart and casual.
The Gommino shoe is available in suede or calf leather and available in the brand’s natural shades as well as those on the more vibrant side – yellow, light blue and orange.
Tod’s
Tod’s Gommino Bubble in Suede
Tod’s
Tod’s Gommino Bubble in Suede
Tod’s
Tod’s Gommino Bubble in Suede
Tod’s
Tod’s Gommino Bubble in Suede
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“‘Tarnish-free’ means the jewelry is resistant to discoloration from air, moisture, or skin oils,” explains Jennie Yoon, founder and CEO of Kinn Studio. “While no jewelry material is completely immune to wear over time, tarnish-free pieces are designed to maintain their original appearance for much longer.” The key? High-quality base metals, thicker gold layers, and protective coatings that help plated pieces hold up to daily wear.
One of the biggest game-changers in affordable jewelry is physical vapor deposition (PVD), a high-tech plating method that makes gold layers tougher, thicker, and more resistant to fading. “Recent advancements like PVD coating, thicker micron plating, and anti-tarnish treatments allow us to create beautiful, long-lasting pieces at a price point that is accessible to more people,” Yoon explains.
But longevity isn’t just about the plating method — it also comes down to how you wear and care for your jewelry. “Avoid exposure to water, sweat, and chemicals like perfumes or cleaning products,” Yoon advises. “Storing your pieces in a cool, dry place and cleaning them with a soft cloth can make a huge difference in keeping them looking new… A well-made piece of plated jewelry can last for years with proper care.”
So what’s the difference between gold plating, vermeil, and solid gold? Gold plating is the most affordable, but it’s also the least durable — just a thin layer of gold over brass or stainless steel. Vermeil is a step up, with a thicker layer of gold over sterling silver, making it more resistant to tarnishing. And solid gold? That’s literally the gold standard for jewelry that stays pristine forever — but at a cost. Ahead, we’re breaking down the best tarnish-free gold jewelry brands for everyday wear — whether you’re looking for an investment piece, fun heart-shaped design, or an everyday go-to that won’t quit.
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I am a sucker for a designer beach bag. Whether this is down to summer being my favourite season to dress for (and as a result, I don’t mind spending a little extra on chic summer accessories) or simply an appreciation for the way luxury brands reimagine their signature designs for the summer months, I’m not sure. Whatever the reason, however I always make sure to keep an eye out for the trending styles so that when I do want to make an investment, I’m already well informed.
While in the past Miu Miu’s crochet bags and Loewe’s basket bags have been a popular choice among both celebrities and influencers (in particular, their capsule collection inspired by Paula’s Ibiza is always a hit), this summer there’s a new designer beach bag hanging on everyone’s arm.
First seen as part of creative director Simone Porte Jacquemus’ AW24 collection, the La Spiaggia has officially reached IT-bag status after being spotted in a whole host of stylish peoples holiday wardrobes already this year. And, as summer has barely begun, I predict we’re going to be seeing a lot more of it in the coming months.
When you take a look at Jacquemus’ track record for creating viral summer accessories, the Spiaggia’s appeal comes as little surprise. Remember the supersized Le Grand Chapeau Bomba sun hat, which caused a storm in 2018 and was spotted on celebrities like Bella Hadid and Anya Taylor-Joy. While their exclusive merch, which you can shop at their pop-up beach clubs in Monte Carlo and Ibiza, are the ultimate status symbol for those in the know.
But, back to the Spiaggia. Available in two distinct shapes, the beach bag features an intricate raffia weave, a neat braided trim and minimalist gold bag charms. It’s a style that feels both in-keeping with classic summer accessory trends, making it a great investment bag you can reach for year after year, yet also a statement style thanks to its unique sculptural shape. It’s a beach bag that doesn’t shout its designer credentials yet is instantly recognisable at the same time.
It’s for this reason that I couldn’t help but keep tabs on it when I saw it popping up on my instagram feed in recent months. Most notably, the circular style is proving a popular choice right now especially in the classic natural tone with influencers like Ingrid Wilkinson and Carol Riberio opting for the hooped style in both the small and large sizes.
Yet, while traditional is one way to go, it’s not the only way to style the Spiaggia. You can also get your hands on it in minimalist black or, for the maximalists, a two-tone style reminiscent of the zebra print trend. Alternatively, for those who prefer the more structured square shape, it also comes in brighter iterations in the form of green, red and even a ruffle trim chocolate brown.
As well as delivering on the looks front, the Spiaggia aslo has something else going for it. Unlike traditional basket bags which take up far too much room in your suitcase, the Spiaggia is much softer and slimmer. That means it can pack flat without losing its shape leaving plenty of room for your swimwear and summer dresses as well as ample pairs of chic summer sandals. In my opinion, that makes the Spiaggia a no-brainer if you’re looking for your next designer beach bag — I’m sure it won’t be long until it makes its way into my basket.
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Footballer and model Harrison Solomon has become the latest bombshell to enter the Love Island 2025 villa.
“I’m excited – I just want to get in there. I’m buzzing to go in,” he said about entering the villa.” “There’s a lot of girls in there that are my type. It could get a little busy, honestly.”
He could also be a serious drama magnet, as he’s already made it clear that he’s not afraid to break up one of the couples, as he has said: “I’m not here to make friends.”
ITV
One of the youngest contestants in the villa, Harrison Solomon is 22 years old. While he’s originally from Derby in England, he currently lives Florida.
Solomon is based in the US as he’s a US college soccer (football) player, as well as being a student at University of New Hampshire.
“Personality is a big thing, so it depends who I vibe with in there,” he has said. “I need someone who is fiery and got a bit of an attitude. I don’t want someone boring in the corner. I want someone who has got a bit of substance and voices their opinion.
“Confidence, being family oriented is a big one for me and someone who is ambitious, too,” he added. “I like a challenge, I like a bit of the chase.”
He’s not into “stuck up and rude” potential matches, and is keen for his partner to have at least some interest and knowledge in football. “Girls I’ve dated before have been into it,” he says. “My perfect situation is for them to come with my family, watch me play and understand – at least slightly – what’s going on.”
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I grew up in a big sports family. As Puerto Ricans in a small Florida town in the 1990s, it helped us survive the South. My brothers and I weren’t just fans; we were athletes. Even as the youngest and the only girl, I was in the middle of all the family basketball, soccer, and baseball games — and I was often the best player.
But despite my skill, I always received the same messages: I was wasting my time, sports wasn’t feminine, and this interest was just a phase I’d outgrow before settling into someone else’s expectations. Those comments were infuriating. I saw the surge of excitement around the 1995 UConn Huskies, led by Cuban-American Hall of Famer Rebecca Lobo, and the 1997 WNBA’s launch. But eventually, I also saw how the league suffered a sharp decline in investment and fan interest. With limited domestic opportunities and low pay, many players were forced to continue their careers overseas, splitting their time and their energy across continents. It felt like confirmation of one of my worst fears: that my family was right — this was a total waste of my time.
So when I was recruited to play Division III basketball, I walked away — not because I didn’t love the game but because all the times I was told that women don’t belong in sports made it impossible for me to envision a future as an athlete.
“All the times I was told that women don’t belong in sports made it impossible for me to envision a future as an athlete.”
Nic Rodríguez Villafañe
As my gender journey has shifted — now living as a trans man — my love for women’s sports hasn’t wavered. And nearly two decades later, it feels like the tide is turning. Women’s sports are shaping the national sports conversation. The 2024 NCAA Women’s Championship drew more than 18 million viewers — surpassing the men’s final. And this time, a diverse new generation is leading: Colombian-Puerto Rican Indiana Fever rookie Celeste Taylor, one of just six Latinas on WNBA rosters, is defending with quiet force and big ambitions. Notre Dame’s breakout guard, Puerto Rican Hannah Hidalgo, is tenaciously owning the ACC and has even stirred comparisons to the WNBA’s all-time leading scorer, Argentine Diana Taurasi. Meanwhile, Kamilla Cardoso, a Brazilian powerhouse with the Chicago Sky, is asserting herself in the paint after two national titles at South Carolina.
This isn’t a fluke — it’s a shift. And while major sports media want to continue to focus debates on Caitlin Clark and Angel Reese and their fandom rival, behind that spotlight, Latina athletes are reshaping the future. They’ve been here. They’re raising the game. And they’re unapologetically claiming their space.
That’s why the waiver of Esmery Martínez by the New York Liberty felt especially disheartening. Just as it seemed that women of color were finally receiving meaningful investment, this decision underscored the systemic precarity that still defines the WNBA for so many. Martínez, a Dominican-American forward with international experience, was cut by the Liberty for the second year in a row, despite strong performances during training camp and an ever-growing fanbase in New York.
She wasn’t the only one. Kaitlyn Chen, the first Taiwanese-American player ever drafted into the league, was selected 30th overall by the Golden State Valkyries and quickly became a fan favorite — her jersey even ranked among the team’s top sellers — but she was still waived before the season started. The decision sparked criticism that the team had leveraged Chen’s marketability without offering a genuine chance to earn a roster spot. Now, in a turn of events, the Valkyries have re-signed Chen, just weeks after her initial release.
Still, these waivers reveal a hard truth: Visibility doesn’t equal stability, especially when institutions profit from representation without committing to equity. These aren’t isolated incidents. They’re part of a larger pattern where women of color are celebrated as symbols but denied the sustained investment needed to succeed. It speaks to a deeper structural failure in professional women’s sports: the ongoing neglect of long-term development and support for women athletes of color.
Such is the criticism surrounding the Chicago Sky’s management. At the center of the Sky fallout is the underdevelopment of young stars like Cardoso, whose story began in Montes Claros, Brazil, and who represents a new generation of international Latina athletes navigating a U.S. sports system that often overlooks their unique needs and cultural identities. Cardoso’s potential is undeniable. Standing 6’7″, she dominated at the collegiate level, winning an NCAA championship with South Carolina in 2024. Yet since joining the WNBA, she has seen limited playtime, raising questions about the Sky’s developmental strategy. Cardoso often seems like an afterthought in the team’s rotation — a glaring contradiction in a league that claims to be invested in growing the game.
Her situation is a microcosm of a broader issue: Latina athletes, whether born in the U.S. or internationally, are frequently celebrated for their potential but rarely given the long-term support and resources needed to thrive at the professional level. Cardoso’s journey is evidence that talent alone isn’t enough. Without intentional investment from coaching staff, media, and league leadership, too many Latina athletes remain underdeveloped, under-promoted, and undervalued.
But the lack of investment in Latina athletes isn’t just a WNBA issue. It’s a systemic failure across sports. Take boxing superstar Amanda Serrano. The Brooklyn-born Puerto Rican is arguably one of the greatest boxers alive. Serrano has held world titles in seven weight classes. And yet, despite her record, she spent years waiting for a headline fight within the male-dominated world of professional boxing. That opportunity finally came in 2022 — not through legacy sports networks, but through Jake Paul, a YouTuber-turned-boxer who promoted her under his brand Most Valuable Promotions. While the partnership undeniably boosted Serrano’s visibility, it also came at a cost. Paul is among the wave of wealthy Americans exploiting Act 60, a tax loophole fueling the gentrification crisis in Puerto Rico. So while Serrano rises, the terms of her success remain entangled in the same colonial logic that displaces the very communities she represents. It raises a hard, necessary question: Why did one of the most-decorated athletes need a white male co-sign to be seen, paid, and valued?
“Her situation is a microcosm of a broader issue: Latina athletes, whether born in the U.S. or internationally, are frequently celebrated for their potential but rarely given the long-term support and resources needed to thrive at the professional level.”
Nic Rodríguez Villafañe
Sports media is another culprit. When the Orlando Pride won the 2024 NWSL Cup, led by Brazilian legend Marta Vieira da Silva, national sports media coverage was nearly nonexistent. I remember receiving a notification on my phone about the win. I rushed to turn on my TV, thinking I would see a special segment on the win, but I found virtually nothing on major sports network shows. Aside from a brief ESPN segment, most of the celebration lived in local Central Florida news outlets, despite Marta finally lifting a major domestic trophy. For a player of her stature — a six-time FIFA World Player of the Year — it was remarkable silence.
Media visibility builds brands, secures endorsements, and cements legacies. When Latina athletes are sidelined, the message is clear: their excellence is still treated as exceptional, not foundational. And the cost is real. Young fans lose the chance to see themselves reflected — not as tokens but as centerpieces. Visibility can’t be a seasonal gesture or a viral exception; it must be built into the structure. Because when representation isn’t matched with resources, it becomes decoration, not transformation.
In the ’80s and ’90s, U.S. sports culture wasn’t concerned with representing the full mosaic of its players or fans. It was about rallying around a myth of national unity. To play and support the game was, in many ways, to assimilate. Ethnic identity was something that was left at the locker room door or seasonally celebrated. As a kid, I remember quietly wondering if Lobo or Taurasi were Latinas like me, based only on their last names. Their heritage wasn’t an elevated focus of their story. That absence shaped a generation of us — athletes and fans alike — who learned to see ourselves only partially reflected, especially when it comes to the main stage of sports.
Now, as women’s sports enter what many are calling a golden age, we have a chance to do it differently. Thankfully, the next generation is taking control of their narratives — securing NIL deals, building visibility on TikTok and Instagram, and telling their stories on their own terms. Take Notre Dame standout Hidalgo, who is not only dominating the ACC but is also quietly building a brand — with deals from Red Bull, Topps, and Aloft South Bend — all while embracing her Puerto Rican roots and sharing that journey with her followers. There’s also Lou Lopez Sénéchal, the first Mexican-born player in the WNBA, who said, “This is an opportunity to open doors for other players and hopefully have an impact and inspire more young people from Mexico.” Meanwhile, Puerto Rican center Isalys Quiñones, who is newly entering the spotlight, uses her social channels to offer compelling glimpses into her pro journey and culture.
“When Latina athletes are sidelined, the message is clear: their excellence is still treated as exceptional, not foundational. And the cost is real. Young fans lose the chance to see themselves reflected — not as tokens but as centerpieces. “
Nic Rodríguez Villafañe
These women are doing more than scoring; they’re becoming cultural catalysts. Across courts and timelines, they’re proving that Latina athletes are not just part of the game — they’re changing it. Still, the burden shouldn’t fall on rookies to carry the league’s conscience. The media must invest. Teams must develop. Fans must show up. Equity is not a favor; it’s the future.
That’s what platforms like Drafted understand. Founded by Karina Martinez and Jennifer Yepez-Blundell in 2023, the culture-driven media brand emerged from the absence of Latina representation and transformed that void into a movement. What began as a space to uplift fan stories has become a powerful ecosystem: editorial coverage, experiential events, and real-time amplification of Latina athletes, coaches, and sports professionals. It fills the gaps where mainstream media falls short, where Latine Heritage Month hype rarely translates into contract security, injury support, or career longevity. And now, with the recent announcement of an all-women’s sports network co-founded by Whoopi Goldberg, the landscape is shifting further. That venture — backed by both cultural and financial capital — signals that the demand for women’s sports isn’t niche; it’s necessary. Together, projects like Drafted and Goldberg’s network are not just covering women’s sports, they’re rebuilding the architecture of who gets to be seen, celebrated, and sustained.
“These women are doing more than scoring; they’re becoming cultural catalysts. Across courts and timelines, they’re proving that Latina athletes are not just part of the game — they’re changing it.”
Nic Rodríguez Villafañe
The stakes are real. Latina athletes, like all women athletes of color, face the compounded harm of shallow narratives, unstable rosters, and chronically underfunded futures. It’s about pay and it’s also about narrative justice, infrastructure, commitment, and a cultural recalibration. So imagine with me a world where investment in women’s sports is rooted not in trend but in trust. Where fans treat women’s games not as novelties but as a culture of celebration. A culture where visibility isn’t seasonal and Latina athletes aren’t firsts or exceptions but foundations. We don’t need to wait for that world to arrive. We can build it now.
Like what you see? How about some more R29 goodness, right here?
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Kylie Jenner has just reached a milestone every mother must one day face: her daughter Stormi, 6, is now old enough to disapprove of some of her mum’s past choices — but luckily the KHY founder has taken her little one’s criticism on the chin.
The reality TV star shared a hilarious video on her TikTok earlier this week, in which Stormi sees Kylie’s blue hair era pics seemingly for the first time. The little girl’s jaw literally dropped, and she asked her mum whether she had dyed her hair, to which Kylie said: “No, it was a wig. Mommy used to love wearing wigs.”
Upon hearing this, Stormi put on her scolding voice and asked Kylie accusingly: “A blue wig with a red outfit?!” Thankfully, the mum of two completely agreed with her progeny, telling her: “I know, it’s not good,” with Stormi piping in: “Not a good combo!”
Although Kylie didn’t show what photo she had shared with Stormi, it’s likely that they were looking at the outfit below together, which the youngest Kardashian sister wore in June 2016. And this might be our millennial showing, but even though this look might not exactly fly among fashion crowds in 2025, doesn’t Kylie give Wonder Woman vibes here?? We kind of love it.
(Image credit: Getty Images)
Kylie’s different-coloured wig era lasted roughly between 2014 and 2016, and coincided with the period when she was known as King Kylie and reigned over Snapchat. Below, the star can be seen rocking a pastel blue wig paired with a sandy-coloured suede set (again, we can’t say we hate this) circa July 2015.
(Image credit: Getty Images)
But Kylie obviously didn’t limit herself to shades of blue: she also wore a delightful green number, pictured below, in November 2015, and had pink hair at New York Fashion Week in February 2016. Essentially, she was constantly delighting us with her hair colour of the day, and we lapped it up faithfully.
(Image credit: Getty Images)
(Image credit: Getty Images)
Stormi was born in February 2018, meaning she just missed the King Kylie times. At least she doesn’t seem too torn up about that. Kylie shares Stormi and her little brother Aire Webster, 3, with her ex Travis Scott (real name Jacques Webster III).
Meanwhile, it seems Stormi has taken a page out of her older cousin North West’s book: North, who is Kim Kardashian’s eldest, is constantly poking fun at her famous mum online — which never fails to make Kardashian fans giggle.
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What’s our favourite thing about Heidi Klum? Her pitch-perfect nail designs, of course! She recently wowed us with her colourful mani and pedicure combo. But the model also loves wearing her red stiletto nails or her popular milky glass nails, just like her daughter Leni Klum. For her new campaign with Calzedonia, Heidi Klum tested the on-trend coconut milk nails look. And you have to admire the cool combination of colour and nail shape.
Getty Images
The beauty of coconut milk nails? They really do flatter every skin tone. Especially combined with a summer tan (but please don’t forget the SPF!), these white nails look absolutely beautiful. In general, white nails are seriously popular in summer; they remind us of ice cream, sun cream, summer dresses, white sandy beaches and yes, coconuts! A tribute to summer through and through.
Heidi Klum wears her coconut milk nails in an almond shape, probably the most popular nail shape around right now. But they are just as chic on squoval or square nails. In terms of colour, coconut milk nails are sharper than the milky white nails we’ve been seeing all over our feeds lately. Like coconut milk itself, the polish has an opaque, milky-white hue.
Getty Images
What’s more, “coconut milk nails” are super versatile and make it easier to choose outfits in the summer. These nails immediately look fresh and clean and are a real eye-catcher. Klum styled them with a cool denim look, paired with a baby blue bikini and silver jewellery.
If you look closely, you might wonder if Klum has opted for press-on nails this time. Press-ons are a great alternative if you want a very specific look for a special occasion and don’t have time for a trip to the nail salon or you simply want to save a little money. And if you have a steady hand, you can easily paint the coconut milk nails yourself at home with the appropriate shade.
A version of this article originally appeared on GLAMOUR (Germany).
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