Whatever it is that takes to make an icon, we can be fairly certain that Dior’s Saddle bag has *it*

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Whatever it is that takes to make an icon, we can be fairly certain that Dior’s Saddle bag has *it*


(Image credit: Future)

What makes an icon? It’s a question often pondered in the arena of fashion, and a label often overused. Longevity? Timelessness? Mass appeal? A combination of all of the above? Perhaps it’s less prescriptive; a magical conjuncture of qualities we’ll never quite be able to put our collective finger on. Whatever it is, we can be fairly certain that Dior’s Saddle bag has it.

It made its debut in 1999, designed by then-Creative Director John Galliano as part of Dior’s spring/summer 2000 collection. Fashion lore suggests it was inspired by photographer Helmut Newton’s iconic, provocative 1976 composition ‘Saddle 1’, though this remains a mysterious, unconfirmed nugget of information. 

Whatever it is that takes to make an icon, we can be fairly certain that Dior’s Saddle bag has *it*

(Image credit: Future)

Shown on the cusp of the millennium, it was part of a collection that signalled the dawn of noughties fashion. On the catwalk, models including Gisele tucked the bag snuggly under their armpit, its flattened shape hugging the side of their body, arm crooked and thumb casually hooked on the stirrup-esque hanging ‘D’ clasp. “It was new and different, from the shape, colours, fabrics and textures, to how it was designed to be worn—close and fitted against the body—was all new and exciting,” remembers Ceanne Fernandes-Wong, CEO and co-founder of handbag subscription rental platform Cocoon, where both vintage and contemporary versions of the bag have a 100% utilisation rate, meaning they are constantly booked out by members. 

Whatever it is that takes to make an icon, we can be fairly certain that Dior’s Saddle bag has *it*

(Image credit: Future)

The fear of the millennium bug safely behind us, we galloped into a decade in which fashion and celebrity became both consumable and inextricably linked like never before. As accessibility to the internet widened, so did our exposure to celebrity style. Fashion TV reached its zenith; The Clothes Show made way for makeover formats like What Not To Wear, bringing fashion with a capital F to the everywoman, lifting it from the pages of glossy magazines and beaming it into the living rooms and everyday lives of the masses. Sex And The City settled into its third season, the eclectic, designer-heavy wardrobe of protagonist Carrie Bradshaw becoming evermore a draw. This heady concoction set the stage for the era of the ‘It bag’, an era that arguably began when Bradshaw toted a white, pink and gold chain-print version of the Saddle bag in episode five of season three. 

Whatever it is that takes to make an icon, we can be fairly certain that Dior’s Saddle bag has *it*

(Image credit: Shutterstock)

By 2001, the bag had helped Dior’s accessories sales soar by 60% as ubiquitous noughties celebs including Paris Hilton, Nicole Ritchie and Mischa Barton were pictured carrying it. Its popularity peaked in 2003, before tapering off to be superseded by various It bag successors, including Mulberry’s Roxy, Chloe’s Paddington and Marc Jacobs’ Stam. Nevertheless, it had sparked a phenomenon that would see handbags become the ultimate status symbol—a trophy purchase to be paraded—and therefore the most lucrative cog in the engines of major luxury fashion houses. 





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